July and August Workshops

I don't mean to be an alarmist, but it seems to me that we need to make plans for a couple more outings before Labor Day.

The July Weekend Workshop is filling. There are a few remaining places. July 20-21.

I can do two in August. By then I'll be getting anxious that the summer's getting away from us, and I'll be dreading snow and slush.
The August weekends, should there be enough interest, will August 9-10 and August 24-25.

If you'd like to participate in any of these weekends, please contact Sarajean Graham, Keeper of the List, at sarajean.graham@comcast.net

Paint well!

Workshop in France, June 2013!

Come paint with us in the 

Heart of France!

 

Boischaut-Sud (Hellio Van Ingen)

We'll be painting chateaux, winding rivers, and splendid countryside. Donald has made many trips to this area over the last 15 years. You can see some of his drawings, done in the local area, here and here.

Chateau de Sarzay

A Seven-day Plein Air Painting Workshop in the Heart of France with Donald Jurney, 24-30 June 2013.

We will be based in and around the lovely market town of La Chatre, in the center of France . Come feast on the visual splendor of the landscape made famous by George Sand, one of the most beautiful, and least tourist-filled areas of France.

 
The workshop is seven days, with five days of painting instruction. Days three and six are free days on which you can explore, visit chateaux, or paint on your own. Or you can just shop or relax. On previous workshops we've had spouses come along----you'll find there's plenty to see and do!

The workshop days feature a morning demonstration, followed by ample hands-on painting time. During the remainder of the morning, and in the afternoon, Donald will help students, at their easels. Generally, we work from 9 a.m. to 4 p.m., with an hour's break at lunchtime.

Forteresse de Cluis-dessous

La Chatre

Reservation and Payment

The cost of the workshop is $750.00 US and includes the workshop only. Participants are responsible for their own accommodations, transportation and meals. There are 10 spaces in this workshop and they are expected to fill. To reserve your space please email Donald at dbjurney@verizon.net

You may send a check for your deposit ($375.00), made payable to Donald Jurney, to:

Donald Jurney

9 Strong Street

Newburyport, MA 01950

This reservation fee of $375.00 is non-refundable after April 10, 2013. You must pay the remaining balance of $375.00 in full, no later than May 10, 2013.

Note: We are also doing a workshop in England, centered on Stow-on-the-Wold, in the Cotswolds. This will run from 10 June to 16 June 2013. As you'll see, there's a week between the two workshops, allowing students and spouses to travel. There are students who are taking both workshops, eager to paint in both of these very distinct landscapes. 

Students on our Scotland Workshop, September 2012

Accommodations

Students must make their own lodging arrangements. This has proven to be the best idea, since tastes and budgets vary a good deal. Here are some suggestions to help you get started, compliments of Jon Main, a student enrolled in this workshop, who is resident in France.

http://www.veportier.com/

http://chambredhote-lachatre36.weebly.com/

http://nohant-ripoton.pagesperso-orange.fr/Chambres.htm

http://www.chambre-dhotes-la-chatre.fr/

http://www.chambres-hotes.fr/chambres-hotes_chambres-d-hotes-la-grange_nohant-vic_25859.htm

http://www.tripadvisor.com/Hotels-g187128-La_Chatre_Indre_Berry_Centre-Hotels.html

If you need help with lodging reservations, let Donald know: dbjurney@verizon.net

Bed and Breakfast is "chambres d'hotes" in French. You may also find some self-catering accommodations. These are called "gites".

http://www.pays-george-sand.com/Meubles-de-Tourisme-classes-Gites  

Art Supply List France

(We will be painting outdoors, not far from our vehicles, but think "light" and "portable"). There are many online art suppliers. Click any of these links to go directly to these sites:

ASW, Jerrys Artarama, Cheap Joes, Dick Blick, Utrecht, Italian Art Store.

Easel

French easel, half easel

or

portable pochade box mounted on a photographers tripod for working outside.

(OpenBox M or Guerilla)

Palette

Wooden palette

Painting surface

Donald uses ClaessensLinen canvas #13 SP (single primed). 

Bring 2 surfaces for each painting day. 18x24" or smaller is recommended.

*Wind River Arts carries Linen mounted canvas boards.

* Dick Blick carries ClaessensLinen #13 mounted to lightweight Gator boards

*Art Boards also offersLinen mounted boards.

*Raymar Art Linen mounted boards.

On our Vermont Plein Air Workshop, June 2012

Paint

From Donald, regarding the palette: You will notice that there are 13 colors plus white, on the suggested palette list. Some of these colors may be new ones to you and some students may be surprised to see no cadmium yellows, cadmium red, or phthalo blue. I personally think that they are too strident for outdoor painting and they definitely require tremendous care to make sure they don't dominate your painting. Mother nature is a girl full of nuance, and I'm sure you'll find your job a great deal easier, and more fun, using this particular palette. The three colors, identified in the photo by asterisks, are required of everyone. Be assured, nonetheless, that we'll figure it out, no matter what odd assortment you bring from your own paint box. And, certainly, bring some of your favorites for show and tell.

Rembrandt mixed white #103 (Titanium-Zinc)

Rembrandt Yellow Ochre Light #228

Rembrandt Naples Yellow Deep #223 *(essential)

Windsor Newton Yellow Ochre 744

Rembrandt Vermillion #311

Rembrandt Brownish Madder #324 *(essential)

Rembrandt Burnt Umber #409

Rembrandt Ultramarine Blue Deep #506

Winsor Newton Cerulean Blue #137

Winsor Newton Alizarin Crimson permanent #004

Holbein Compose Green #H284

Old Holland Cad Green Light #D44

Holbein Green Gray #H372

Winsor Newton Prussian Green #540 *(essential)

Brushes

Donald uses round bristle brushes by Raphael, Series 358. Buy

as many as you can afford, in this proportion.

(3) No. 10

(2) No. 6

(1) No. 2

Medium and Solvent

We are NOT permitted to fly with Liquin or with solvents

(mineral spirits/paint thinner, turpentine, gamsol, etc.)

Donald will arrange for there to be sufficient Liquin and mineral

spirits available when we arrive in the France. There will be a

charge for these.

Make sure you bring empty, sealable containers with you for

your Liquin and thinner.

Other

Paper Towels (if you have extra room when packing, you may want to fill it up with paper towel. The local paper towel is often thin and small.)

B pencils, Kneaded eraser, sharpener

Sketchbook

Paint box, bag or backpack to carry supplies

Wet paint carrier (Available at Artmate).

Appropriate clothing for outdoor painting:

Be prepared for the possibility that it may be blustery, or occasionally wet. Bring some waterproof foot gear)

Optional

hat

water bottle

sunblock

camera

painting umbrella


Please note that the workshop fee is for tuition only. Transportation to and from France, car rental, accommodations, meals, travel insurance, and other incidentals are the responsibility of each student.

Reading List


For those of you who can't wait to get to France, and need to start reading...NOW!, here are a couple of suggestions.

Celestine by Gillian Tindall. 

Set in Chassignolles, it's a wonderful introduction to rural France. Here's a review of Celestine by W. S. Merwin, the US Poet Laureate, in the New York Times.

Le Grand Meaulnes by Alain-Fournier,

is set not so terribly far from La Chatre. It is             

a coming-of-age novel, and one of the great

classics of French literature. Here's a review 

by Julian Barnes, a contemporary English 
writer, and winner of the Booker Prize.

Savannah Odyssey

Pictures from the SavannahWorkshop

We had a great time on the Savannah Workshop, and I'm pleased to say that everyone made great strides in plein air painting.

On the first day we were at a boat ramp on the Moon River. Yes, it's the same Moon River as the Johnny Mercer/Henry Mancini tune.  
Because we were setting up in changeable weather, we chose this spot which had a convenient picnic shelter. In fact, we had no problem with raindrops, and everyone painted outside. Here's a bit of the flavor of that spot.

On day two, we painted at the Fort Pulaski National Monument on Cockspur Island in the Savannah River. we painted inside the fort, graced with these lovely arcades, but most people painted looking out the gun embrasures onto the countryside.

  













Tuesday night it rained cats and dogs, setting a new rainfall record for the day, 2.5" . Fortunately, we were long finished painting, and only had to negotiate a wild drive back to our various lodgings.

Wednesday was better. Here's a view on Skidaway Island where we painted on Wednesday. You can see some of the lingering rainfall from the previous night! I, personally, spent some time trying to find a slot where there were no palmettos in view. I know, I know...but I'm chicken.

And another view.

On Thursday, we went to a spot on Cockspur Island, overlooking the North Channel of the Savannah River. Here's my effort from that day (16x20).

 














On Friday, our intrepid band assembled in Forsyth Park, one of Savannah's jewels. Here are some photos from there.

  
Three of us contemplating what we shall paint.

We seem dressed for the Yukon, and most of the Savannahians were wearing many fewer clothes. But it seemed cold to us, notwithstanding that our friends and families were digging out of the great blizzard. We stiffened our resolve, knowing that someone has to paint, en plein air, in February, and we accepted the responsibility.

We had been treated to a remarkable Valentine's dinner the night before, compliments of Deb and Bill who were ensconced in a great apartment. Here's a photo of the lovely table they had awaiting us.

We finally chose our spots at Forsyth Park, and everyone set work.

Below is Lacey, one of the two students we had from SCAD (The Savannah College of Art and Design). We offered scholarships to two SCAD students, and Lacey and Kassy were nominated by Denise Carson, Chairman of the Painting Department. Neither student had ever painted a plein air landscape before this, yet they acquitted themselves very well.

That's concentration!

And Bill doing the same.

I, personally, had a great time. Kim visited a slew of historic houses, and generally got to know Savannah pretty well. We had some great food, especially the burgers that we were told about at The Green Truck Pub.

Here is the Whole Farm Burger from the Green Truck, featured on the cover of Georgia Magazine. It features the usual ingredients, plus a fried egg. Who knew?

 























Three of us had dinner at Paula Deen's The Lady and Sons, and we had tapas at Jazz'd.

Regrettably, I can't report that I returned thinner than I began. But I'm sure everyone else did.

As we wound down, there was talk of making a winter painting workshop in Savannah into an annual event.  

Hmmmm....... 

With the exception of Georgia Magazine, all the photos are courtesy of Deb Vitkosky.